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Neutral Density Filters (ND Filter)

X3 10-stop Neutral Density Filter by
Breakthrough Photography

Neutral density filters reduce the amount of transmitted light. They are available in a variety of densities. Some are multi-coated, and some are single coated, and they come in numerous form factors for virtually any system.

Particularly for the darker filters, as of 2015, the Breakthrough Photography ND filters are the best in color neutrality and of verify high build quality—highly recommended.


The terminology can be confusing with some brands (a logarithmic numbering). Translation:

  • ND 0.3 = 1 stop
  • ND 0.6 = 2 stops
  • ND 0.9 = 3 stop
  • ND 1.8 = ~6 stops
  • ND 3.0 = 10 stops, transmits 0.1% of light)
  • ND 4.0 = 13-2/3 stops,
  • ND 6.0 = ~20 stops

With most ND filters, the greater the density, the more the color balance is affected, typically a warm cast (yellow) is added. The Breakthrough Photography ND filters are far superior in this regard to most ND filters.

Neutral is an objective, not a fact

Using my Gossen Color Pro IIIf color meter in mid-day 5400° Kelvin sunlight, I measured the color balance of various neutral density filters as listed here. Note that the greater the density, the “warmer” (more yellow) the filter becomes. This effect is quite strong with the 6-stop filter.

A warming of 13 mireds is approximately equal to a B+W KR 1.5 warming filter, while 60 mireds is roughly equivalent to a B+W KR12 — very warm.

Filter Mireds* warming CC filter
60mm B+W 2-stop 13 5cc M
72mm B+W 2-stop 13 5cc M
60m Heliopan 3-stop 17 0
60mm B+W 3-stop 17 0
60mm B+W 6-stop 60 20cc G

*micro reciprocal degrees

Why reduce the light?

You might want to reduce the amount of light for the following reasons:

  • To allow use of a wide aperture eg f/1.4 or f/1.2 or f/0.95 , since some cameras have top shutters speeds as low as 1/1000 second.
  • To slow the shutter speed to allow motion blur;
  • For video; a precise aperture might be required, and only an ND filter can achieve the proper shutter speed;
  • To increase exposure time so that motion blur smooths the subject (eg moving water);
  • To increase exposure time so as to eliminate obstacles eg people inside a church or cars on a busy street.
  • To avoid sensor side artifacts: some cameras behave oddly at their maximum shutter speed (CCD sensors mainly eg Leica M9).


The images below were taken at f/0.95 using the Leica M9 and 50mm f/0.95 Noctilux-M ASPH. A 3-stop neutral density filter was used so that the exposure would not “blow out”.

Standing Sentinel
Leica M9 + 50mm f/0.95 Noctilux-M ASPH @ f/0.95
Serious Fun
Leica M9 + 50mm f/0.95 Noctilux-M ASPH @ f/0.95
Leica M9 + 50mm f/0.95 Noctilux-M ASPH @ f/0.95

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