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2022-02-22 Adobe Camera Raw Mandatory Lens Corrections: How to Bypass by Changing Camera Name

2022-02-08 Phase One IQ4 Image Quality: Color Bleed in Adobe Camera Raw vs Phase One Capture One Pro

2022-01-31 Leica M11: Color Balance and Tint with Adobe Camera Raw, PROFILE M11 vs Adobe Color

2022-01-17 Adobe Camera Raw, PhaseOne C1Pro: Broken Distortion Correction of Leica M11 DNG

2022-01-12 Reader Comment: Artifacts in Super Resolution in Adobe Camera Raw

2021-09-12 Leica SL2 Multi-Shot High-Res Mode vs Adobe Camera Raw Super Resolution Mode: Pumpkin Vines

2021-09-10 First Look at Leica SL2 Multi-Shot High-Res Mode (Updated.v2 with comments)

2021-05-04 With Newer-Model Cameras, Adobe Camera Raw Allows Distortion Correction, Color Fringing, Vignetting Corrections to be Controlled

2021-04-29 Fujifilm GFX100S: White Balance and Tint for Neutrality in Sunlight

2021-04-01 Reader Question: Camera Profile in Adobe Camera Raw

Most recent pages at other diglloyd sites:

See also 55 pages at macperformanceguide.com

2022-06-22 2022 Mac Studio M1 Ultra: Adobe Camera Raw Enhance Details

2022-06-22 2022 Mac Studio M1 Ultra: Convert RAW Files to JPEG With Adobe Camera Raw (Sony A7R IV)

2022-06-22 2022 Mac Studio M1 Ultra: Convert RAW Files to JPEG With Adobe Camera Raw (Nikon D850)

2022-06-22 2022 Mac Studio M1 Ultra: Convert RAW Files to JPEG With Adobe Camera Raw (Hasselblad X1D)

2022-06-22 2022 Mac Studio M1 Ultra: Convert RAW Files to JPEG With Adobe Camera Raw (PhaseOne IQ4)

2022-06-22 2022 Mac Studio M1 Ultra: Convert RAW Files to JPEG With Adobe Camera Raw (Fujifilm GFX100, Fujifilm GFX50S)

2022-06-21 TESTED: Apple Mac Studio M1 Ultra: Adobe Camera Raw Enhance Details

2022-01-26 2021 MacBook Pro M1 Max: Adobe Camera Raw Enhance Details

2022-01-26 2021 MacBook Pro M1 Max: Convert RAW Files to JPEG With Adobe Camera Raw (Sony A7R IV)

2022-01-26 2021 MacBook Pro M1 Max: Convert RAW Files to JPEG With Adobe Camera Raw (Nikon D850)

2022-01-26 2021 MacBook Pro M1 Max: Convert RAW Files to JPEG With Adobe Camera Raw (PhaseOne IQ4)

2022-01-26 2021 MacBook Pro M1 Max: Convert RAW Files to JPEG With Adobe Camera Raw (Fujifilm GFX100)

2022-01-10 2020 iMac 5K: Adobe Camera Raw Enhance Details

2022-01-10 2020 iMac 5K: Convert RAW Files to JPEG With Adobe Camera Raw (Sony A7R IV)

2022-01-10 2020 iMac 5K: Convert RAW Files to JPEG With Adobe Camera Raw (Nikon D850)

Converting Color Images to Monochrome

Techniques for converting color to monochrome..

  1. Aggressive Monochrome Processing for Mood/Style, or Recalcitrant Images

Examples and How They Were Made

Examples of how images were made...

  1. Making of “Solo Hiker near Summit of Eureka Dunes” (Leica M10 Monochrom)

Panasonic S1R Image Quality

Aspects of image quality..

  1. Panasonic S1R: White Balance and Tint with Adobe Camera Raw
  2. Panasonic S1R: Adobe Camera Raw Enhance Details
  3. Panasonic S1R: How Much to Sharpen During Raw Conversion in Adobe Camera Raw

Panasonic S1R Multi-Shot High-Res Mode

Evaluating Multi-Shot High-Res Mode..

  1. Workflow for Multi-Shot High-Res Mode Images in Adobe Camera Raw (Panasonic S1R, Leica SL2)
  2. Panasonic S1R: Examples of Optimal Gains from Multi-Shot High-Res Mode (Dolls)

Panasonic Lumix S 24-105mm f/4 Macro OIS

All-arounder entry-level mid-range zoom for L-Mount..

  1. Optical Distortion Across the Zoom Range, with/without Distortion Correction
  2. Shootout: Leica 50mm f/1.4 SL vs Panasonic LUMIX S PRO 50mm f/1.4 vs Panasonic LUMIX S 24-105mm f/4 (Mosaic)

Panasonic Lumix S PRO 50mm f/1.4

Premium fast normal lens for L-Mount..

  1. Aperture Series: Pines by Creek (Panasonic S1R)
  2. Shootout: Leica 50mm f/1.4 SL vs Panasonic LUMIX S PRO 50mm f/1.4 vs Panasonic LUMIX S 24-105mm f/4 (Mosaic)
  3. Shootout: Leica 50mm f/1.4 SL vs Panasonic LUMIX S PRO 50mm f/1.4: Rotten Log

Leica SL2

47 megapixel with Multi-Shot Hi-Res mode..

  1. Leica SL2 Multi-Shot High-Res Mode vs ACR Super Resolution Mode

Leica SL

24-Megapixel vs mirrorless..

  1. Leica SL: White Balance in Adobe Camera Raw, Gray Overcast Lighting
  2. Leica SL vs M240: White Balance and Tint with Adobe Camera Raw, Sunlight
  3. Leica SL vs M240: Lens Corrections and Color Rendering with M Lenses

Leica 50mm f/1.4 Summilux-SL ASPH

Fast apochromatic prime lens for L-Mount cameras..

  1. Aperture Series: Curved Creek, Using Field Curvature to Advantage
  2. Shootout: Leica 50mm f/1.4 SL vs Panasonic LUMIX S PRO 50mm f/1.4 vs Panasonic LUMIX S 24-105mm f/4 (Mosaic)
  3. Shootout: Leica 50mm f/1.4 SL vs Panasonic LUMIX S PRO 50mm f/1.4: Rotten Log

Nikon D850

The best becomes better..

  1. Color Balance with Adobe Camera Raw: ISO 31 and ISO 64, Color Checker Card

Nikon D850 Image Quality

Oustanding image quality, but with some limitations..

  1. Image Quality with Long Exposures
  2. Image Quality with Underexposed Long Exposures

Nikon D810

Improvements on the workhorse D800E..

  1. Adobe Camera Raw: Harsh Tonal Transitions with 'Camera Standard' Profile
  2. Processing NEF: a Quick Look at Adobe Camera Raw vs Nikon NX-D

Nikon D800E vs D800

D800E supplement and comparisons with Nikon D800..

  1. D800E vs D800 RAW Sharpening Comparison (Aerial, Fountain)

Nikon D850 Monochrome Conversion by MaxMax.com

D850 with the RGB Bayer matrix removed for a true monochrome sensor..

  1. Compared: Nikon D850 Monochrome to unmodified Nikon D850: Mining Warning Sign
  2. Examples: Eastern Sierra Man-Made Structures

Canon EOS 5DS / 5DS R

50 megapixel successor to the 22 megapixel Canon 5D Mark III..

  1. White Balance and Tint for Raw Conversion in Adobe Camera Raw, Overcast Cloudy Lighting
  2. Chroma Noise Reduction in Adobe Camera Raw @ ISO 12800 (Fruit)
  3. Canon 5DS R: Awful Color Rendition using Adobe Camera Raw (Fruit)

Pentax K-1

36-megapixel full-frame DSLR with SuperRes Pixel Shift Mode..

  1. SuperRes Mode: Motion in Landscape Scenes 'Wind in the Palms'
  2. SuperRes Pixel Shift Mode: Does Motion Correction Work?
  3. Night Exposures in SuperRes Pixel Shift Mode
  4. SuperRes Pixel Shift Mode vs Std Res: Veiling Blue Haze (ACR bug)
  5. SuperRes Pixel Shift Mode vs Std Res: Color Inaccuracy, ACR Bug (Macbeth Color Checker)
  6. SuperRes Pixel Shift Mode vs Std Res: Color Inaccuracy, ACR Bug (Dolls)

Sigma 105mm f/1.4 DG HSM Art

Extraordinary optical efforts for class-leading performance?.

  1. Color Shift When Stopping Down, SpyderCHECKR Card

Nikon AF-S 24-120mm f/4G VR

Nikon’s latest wide range zoom with vibration reduction and fixed f/4 aperture..

  1. Examples

Nikon AF-S 24mm f/1.4G ED

State of the art design in a fast 24mm lens. Includes full-resolution images at f/1.4..

  1. Correcting Distortion in Adobe Camera Raw

Canon EF 8-15mm f/4L Fisheye Zoom

State of the art design in a never before seen fisheye zoom..

  1. Examples in White Mountains (Mixed Focal Lengths)

Workflow Tips and technique

An introduction to digital workflow and best practices. .

  1. ACR/Lightroom Camera Profile for Raw Conversion (Fujifilm X-T1)
  2. ACR/Lightroom Camera Profile for Raw Conversion (Nikon D810)
  3. RAW Conversion: Adobe Camera RAW vs DXO Optics Pro

Faux HDR and High Dynamic Range

Tips for processing high dynamic range images. .

  1. Moderating and Enhancing Contrast with Adobe Camera Raw
  2. Faux HDR: Converting High Dynamic Range Images with Adobe Camera Raw (Nikon D810)

How to Test A Lens

How to verify a good sample and assess all aspects of lens performance..

  1. Testing for distortion

Medium Format Magazine

Articles written for MediumFormat.com..

  1. Computational Photography Improves Digital Captures: Enhance Details in Adobe Camera Raw (June 2019)

Phase One XF and XT Full-Frame Medium Format

Phase One XF System, Phase One IQ4, Schneider Kreuznach Lenses.

  1. Phase One IQ4 Image Quality: Color Bleed (Alabama Hills Sunrise)

Fujifilm GFX100S

100 megapixels in a body the size of a 35mm DSLR!.

  1. Fujifilm GFX100S: White Balance and Tint with Adobe Camera Raw, Sunlight
  2. Fujifilm GFX100S: Horizontal White Stripes — the Futility of Using GFX100S for Monochrome Landscape Images — Examples with ACR Settings

Fujifilm GFX100 Focus Stacking and FOCUS BKT

100 megapixels in a portable package!.

  1. Fujifilm GFX100: Focus Stacking for Selfies, or People

Fujifilm GFX100 Image Quality

Aspects of image quality..

  1. Fujifilm GFX100: Crosshatching Artifacts using Adobe Camera Raw Enhance Details

Fujifilm GFX 50S/R Image Processing

Tips on getting the best results..

  1. Sharpening Amount with Adobe Camera Raw
  2. ISO 100 Pushed and ISO 12800 in Low Light (Riparian Tree by Creek)

Fujifilm GFX 50S Image Quality

Image quality assessments..

  1. Moiré and Color Aliasing (plus Adobe Camera Raw Enhance Details)

Fujifilm GF 23mm f/4 R WR

Ultra wide angle equivalent to 19mm f/3.3. .

  1. Distortion Correction and Micro Contrast Losses (GFX 50S)

Fujifilm GF 45mm f/2.8 R WR

Moderate wide angle equivalent to 37mm f/2.3..

  1. Focus Stacking Examples, Various (GFX100)

Fujifilm GF 63mm f/2.8 R WR

Standard normal lens equivalent to 52mm f/2.3..

  1. Distortion

Fujifilm GF 120mm f/4 Macro R LM OIS WR

High performance macro photography on medium format, equivalent to 99mm f/3.3..

  1. Focus Stacking Examples, Various (GFX100)

Optimal Images from Hasselblad X1D II 50C

Tips on Getting the Best Results..

  1. Adobe Camera Raw White Balance and Tint: Mid-Day High Altitude Sunlight, SpyderCHECKR

Optimal Images from Hasselblad X1D

Tips on Getting the Best Results..

  1. Adobe Camera Raw Conversion Settings, SpyderCHECKR: Overcast Rainy Day Lighting
  2. Adobe Camera Raw Conversion Settings, SpyderCHECKR: Mid-Morning Sunlight
  3. ISO 3200 Highlight Destruction in ACR vs Hasselblad Phocus and Iridient Developer (Dolls)
  4. Shooting at ISO 400/800/1600 vs ISO 100 Pushed (Dolls)
  5. Increase Image Quality by Optimal Exposure (ETTR, Dolls)

Hasselblad XCD 65mm f/2.8

Normal lens equivqlent to 53mm..

  1. Aperture Series: Survivor Pine on Rock Outcrop

Pentax 645Z Image Quality

High end image quality, but what about lenses?.

  1. Pentax 645Z with Adobe Camera Raw: AdobeStd or Embedded Profile?

Leica S Examples

Examples and comparison from the various lenses.

  1. Comparison: Leica S2 vs Nikon D3x Deconvolution Sharpening

25mm f/2 Distagon

Ultra high performance with a fast aperture..

  1. Examples (Ad-Hoc)

50mm f/1.4 Planar

Brilliant imaging in a compact package..

  1. Examples in White Mountains, Death Valley

Otus 28mm f/1.4 APO-Distagon

Fast high performance APO wide angle..

  1. Examples: Mountain Landscapes at f/1.4

Otus 55mm f/1.4 APO-Distagon

Ultra high performance apochromatic normal lens, first in the Otus line..

  1. Examples: Eastern Sierra and White Mountains (Nikon D850 monochrome)

Otus 55mm f/1.4 APO-Distagon Rendering Style

Rendering style, bokeh and beauty..

  1. Aperture Series: Pine Creek Thunderstorms (Nikon D810)

Otus 85mm f/1.4 APO-Planar Rendering Style

Rendering style, bokeh and 'transparency' without peer..

  1. Portraits (Nikon D810)

Otus 100mm f/1.4 APO-Sonnar

Razor sharp with gorgeous bokeh..

  1. White Balance and Tint at f/1.4 Versus Stopped Down, Datacolor SpyderCHECKR (Nikon D850)

Staying Warm, Dry, Safe

How to stay comfortable and safe in the outdoor..

  1. ArcTeryx ACRU FL GTX Hiking Shoe and Boot

Nikon D200 vs D2x

Vintage 2006 comparative review of Nikon D200 vs Nikon D2x..

  1. DynamicRange

Canon EOS R

Canon’s first full-frame mirrorless..

  1. White Balance and Tint in Adobe Camera Raw
  2. Benefits of Adobe Camera Raw “Enhance Details”

Canon RF 85mm f/1.2L USM

High speed portrait lens optimized for Canon mirrorless..

  1. White Balance and Tint Across Apertures

Nikon Z7 Image Quality

Image quality..

  1. White Balance and Tint in Adobe Camera Raw (Mid-Day Sunny, Mountains @ 6000 ft)
  2. White Balance and Tint in Adobe Camera Raw (Early Morning Shade, Mountains @ 8800 ft)

Sony A1

Technological tour de force..

  1. White Balance and Tint for Sony A1, Mid-Morning Sunlight, Adobe Camera Raw
  2. Sony A1 vs Sony A7R IV: Siemens Star

Sony Alpha A7R III

Attention to details: a solid upgrade over the A7R II..

  1. Pixel Shift: With and Without with Sony Imaging Edge, ACR
  2. Pixel Shift: Sony Pixel Shift vs Adobe Camera Raw Single Frame, Lundy Canyon Earth Shadow
  3. Pixel Shift Examples, Good and Bad Processed from DNG in Adobe Camera Raw

Sony Alpha A7R II

Attention to details: a big upgrade over the A7R..

  1. Raw Conversion: White Balance, Tint, Sharpening (ACR in Photoshop CC)

Sony Alpha A7R

Full frame compact mirrorless with interchangeable lenses..

  1. Automatic Correction for Lateral Chromatic Aberration in Adobe Camera Raw
  2. Camera Profiles for Sony A7R / A7 in ACR / Lightroom
  3. Sony A7R Pixel Quality: Orange Peel Noise (Yellow Blue Bike)
  4. Sharpening A7R Raw Files in Adobe Camera Raw and Topaz InFocus

Sony FE 24mm f/2.8 G

High performance, high speed..

  1. Distortion Correction for Sony FE 24mm f/2.8 G, Adobe Camera Raw
  2. Aperture Series: Deck Planks — Getting Optimal Results by Understanding Focus Shift, Field Curvature, Distortion Correction
  3. Aperture Series: Fenceline, with/without Distortion Correction

Sony FE 100mm f/2.8 STF GM

Razor sharp medium telephoto with apodization filter..

  1. Examples: Portrait Model (A7R II)

Sigma FE 85mm f/1.4 DG DN Art

Ultra high performance medium telephoto..

  1. Distortion
  2. Micro Contrast, Moiré, Color Aliasing with/without Pixel Shift and Distortion Correction

Sigma FE 70mm f/2.8 DG Macro Art

Macro lens also excellent for all-around shooting..

  1. White Balance and Tint in Adobe Camera Raw, Mid-Day Sun

Voigtlander FE MACRO APO-LANTHAR 110mm f/2.5

High grade macro all-arounder at a modest price..

  1. Overview of Voigtlander MACRO APO-LANTHAR 110mm f/2.5

Sony FE 16-35mm f/4 ZA OSS Vario-Tessar

Comapact ultra-wide zoom for Sony full frame mirrorless..

  1. Aperture Series @ 25mm: Yellow and Blue Bike Close, Focus Shift (Sony A7R)
  2. Aperture Series @ 35mm: Yellow and Blue Bike Close, Focus Shift (Sony A7R)

Sony FE 24-70mm f/2.8 GM

Premiere mid-range zoom for Sony full frame mirrorless.

  1. Distortion @ 24mm: Uncorrected vs Corrected

Fujifilm Finepix X100

The best compact big-sensor digital camera yet?.

  1. RAW vs JPEG — Sharpness and Noise

Nikon Coolpix A

Fixed 28mm lens with APS-C sensor free of anti-aliasing blur with wonderful color..

  1. Coolpix A vs Fujifilm X100s / X100 (Blue Doll, Pellegrino)

Ricoh GR

Razor sharp 28mm lens on APS-C sensor and outstanding usability and features..

  1. White Balance and Tint in Adobe Camera Raw (Outdoor Scene)
  2. White Balance and Tint in Adobe Camera Raw (Outdoor Portrait)
  3. Sharpening DNG in Adobe Camera Raw

Sony DSC-RX100

Stunningly high image quality in a 20MP point and shoot tiny camera..

  1. Converting RAW to TIF with ACR, Enhancing Contrast

Panasonic Lumix G LEICA DG MACRO-ELMARIT 45mm f/2.8 ASPH MEGA O.I.S

A macro lens with high performance..

  1. Panasonic MACRO-ELMARIT 45mm f/2.8 Overview

Olympus OM-D E-M1

A worthy upddate to the E-M5 with pro-grade build quality..

  1. Camera Profiles for E-M1 in ACR / Lightroom
  2. Olympus E-M1 Raw Conversion in Adobe Camera Raw
  3. Raw Conversion Silent Auto Corrections with ACR

Olympus OM-D E-M5 Mark II

Updated model with HighRes sensor shift mode..

  1. Processing EM5 Mark II HighRes RAW with Adobe Camera Raw

Fujifilm X (general)

General information about Fujfilm X..

  1. Camera Profiles for Fujifilm X in ACR / Lightroom

Fujifilm X-E1

Compact sibling of the Fujifilm X-Pro1.

  1. Fractal-like Artifacts: Dolls Still Life
  2. Fractal-like Artifacts COUNTERPOINT: Dolls Still Life
  3. Fractal-like Artifacts: The Close-Up View

Fujifilm X-Pro1

Interchangeable lenses on a 16MP APS-C sensor.

  1. Fractal-like Artifacts: Yosemite Pines (ACR)
  2. Fractal-like Artifacts: Yosemite Pines — ACR vs Capture One Pro
  3. Fractal-like Artifacts: Cayenne and Moots at Dusk
  4. RAW Conversion Details (Adobe Camera RAW)
  5. Examples (Flowers and Food, Adobe Camera RAW Redo)
  6. Examples (Mosaic, ACR)
  7. Aperture series ƒ/1.4 - ƒ/16, RAW vs JPEG (ACR)
  8. ISO series ISO 200 - 3200, JPEG vs RAW (ACR)
  9. Conclusions (Before ACR)

Fujifilm X-Pro2

Fujifilm's 24MP APS-C offering..

  1. Adobe Camera Raw Settings (Sunlight)
  2. Image Quality: Grid Artifacts
  3. Image Quality: Fractal-like Artifacts (Clay Pot)
  4. Comparing 7 Color and 5 Monochrome ACR Camera Profiles (Dolls)
  5. ACR vs XPro2: 7 Color and 5 Monochrome Camera Profiles Compared (Ranch Gate at Sunset)
  6. Raw Conversion: XPro2 vs SilkyPix vs Adobe Camera Raw vs Iridient Developer (Oil Pump)
  7. XPro2 ACROS Film Simulations vs Photoshop Black and White Options (Barn and Fence)
  8. JPEG vs RAW SHOOTOUT: Fine Wood Detail in Green Barn

Zeiss Loxia 21mm f/2.8 Distagon

Outstanding ultra wide angle performer..

  1. Examples: White Mountains Before Snowstorm (A7R II)

Zeiss Batis (Overview)

Zeiss autofocus lenses Sony full-frame mirrorless..

  1. Zeiss Batis Raw Conversion in ACR

Zeiss Touit 12mm f/2.8 Distagon

Ultra wide angle lens for Sony NEX or Fujifilm X..

  1. Distortion Correction in JPEG vs RAW (Sony NEX-7)

Zeiss Touit 32mm f/1.8 Planar

Normal lens for Sony NEX or Fujifilm X..

  1. Distortion Correction in JPEG vs RAW (Sony NEX-7)

Sigma sd Quattro H

Mirrorless Sigma Quattro larger APS-H sensor with interchangeable lenses..

  1. DNG vs X3F (Dolls, Daylight)
  2. DNG vs X3F (Dolls, Long Exposure)

Leica M11

Leica M 60 Megapixels..

  1. Color Balance and Tint with Adobe Camera Raw, PROFILE M11 vs Adobe Color

Leica M10-R

Leica M 40 Megapixels..

  1. Leica M10-R White Balance and Tint in Adobe Camera Raw, SpyderCHECKR Card

Leica M10

Leica M mount in slim body with SL-type sensor..

  1. Leica M10 White Balance / Tint in Sunlight, Photoshop + Adobe Camera Raw

Leica M Typ 240 In Use

Overall design and behavior..

  1. M240 White Balance and Tint in Sunlight

Leica 24mm f/3.8 Elmar-M ASPH

Leica’s best-performing 24mm, and with a flat field..

  1. Examples: Leica 24mm f/3.8 Elmar-M ASPH (Yosemite)

Processing DNG in Adobe Camera RAW (ACR)

Sharpening, etc..

  1. Sharpening Leica DNG and RAW Images

Blog posts, reverse chronological

2022

2022-02-22 Adobe Camera Raw Mandatory Lens Corrections: How to Bypass by Changing Camera Name

2022-02-08 Phase One IQ4 Image Quality: Color Bleed in Adobe Camera Raw vs Phase One Capture One Pro

2022-01-31 Leica M11: Color Balance and Tint with Adobe Camera Raw, PROFILE M11 vs Adobe Color

2022-01-17 Adobe Camera Raw, PhaseOne C1Pro: Broken Distortion Correction of Leica M11 DNG

2022-01-12 Reader Comment: Artifacts in Super Resolution in Adobe Camera Raw

2021

2021-09-12 Leica SL2 Multi-Shot High-Res Mode vs Adobe Camera Raw Super Resolution Mode: Pumpkin Vines

2021-09-10 First Look at Leica SL2 Multi-Shot High-Res Mode (Updated.v2 with comments)

2021-05-04 With Newer-Model Cameras, Adobe Camera Raw Allows Distortion Correction, Color Fringing, Vignetting Corrections to be Controlled

2021-04-29 Fujifilm GFX100S: White Balance and Tint for Neutrality in Sunlight

2021-04-01 Reader Question: Camera Profile in Adobe Camera Raw

2021-03-27 Sony A1: White Balance and Tint in Adobe Camera Raw using Datacolor SpyderCHECKER (Mid-Morning Sunlight)

2021-03-18 Sony A1 Lossless-Compressed Raw Format: Update Photoshop and Lightroom and you’re 'good'

2021-03-17 Adobe Camera Raw in Photoshop CC 2021 Opens Fujifilm GFX100S RAW/RAF Files

2021-03-10 Caution on Latest Photoshop Update: Crashes Due to Heap Corruption, Drawing Bugs

2021-03-10 Adobe Camera Raw “Super Resolution” Mode Added to Enhance Details — Unacceptable Digital Artifacts

2020

2020-12-30 Leica M10R White Balance and Tint in Adobe Camera Raw, SpyderCHECKR Card

2020-06-18 XMP Sidecar File Handling in Lightroom Non-Functional with DNG Files — inconsistent with Photoshop / Adobe Camera Raw Handling

2020-06-16 Hooray! Adobe Camera Raw Now Has Option to Always Use Sidecar XMP files with DNG

2020-06-13 Abandoning Adobe Camera Raw Enhance Details—Crosshatching Pattern Noise

2020-05-24 Hasselblad X1D II 50C: White Balance and Tint in Adobe Camera Raw, Mid-Day High Altitude Sunlight, DataColor SpyderCHECKR

2020-01-09 2019 Mac Pro vs 2019 iMac 5K: RAW File Conversion Speed

2019

2019-11-29 Phase One Capture One Pro vs Adobe Camera ERaw

2019-11-11 Adobe Camera Raw Enhance Details Continues to Frustrate: Stripes Over Entire Image

2019-10-26 Caution on Using Adobe Camera Raw Enhance Details for Frame Averaging: Grid / Checkerboarding Pattern Permeates the Image

2019-10-23 Adobe Camera Raw Enhance Details Produces Striping Pattern Noise on Nikon D850, Other Cameras

2019-09-19 Voigtlander MACRO APO-Lanthar 110mm f/2.5 Aperture Series: Mosaic (Sony A7R IV)

2019-09-16 Sony A7R IV Image Quality: Crosshatching Pattern Noise with Adobe Camera Raw Enhance Details

2019-09-15 Sony A7R IV Raw File Support in Adobe Camera Raw is Preliminary, Problematic

2019-07-27 Fujifilm GFX Image Quality: Crosshatching Pattern Noise with Adobe Camera Raw Enhance Details

2019-07-26 Fujifilm GFX100 BUG: Sets Mandatory Lens Correction Profile for Unknown Lenses

2019-05-27 My Experience with the 2019 iMac 5K So Far

2019-05-16 How Much Does the GPU Matter for Adobe Camera Raw Enhance Details?

2019-05-06 White Balance and Tint for Zeiss Otus 100mm f/1.4 APO-Sonnar in Adobe Camera Raw — Differs for f/1.4

2019-05-03 In-Depth Review of 2019 iMac 5K Specifically for Photographers

2019-04-11 Reader Question: eGPU for Photoshop and Lightroom?

2019-04-08 Adobe Camera Raw Enhance Details Feature: Integrated into my Workflow... How Much Does it Use the GPU?

2019-04-07 Panasonic S1R: Workflow for Multi-Shot High-Res Mode Images in Adobe Camera Raw

2019-04-07 Panasonic S1R: How Much to Sharpen During Raw Conversion in Adobe Camera Raw + Adobe Camera Raw Enhance Details

2019-04-04 Panasonic S1R: White Balance and Tint in Adobe Camera Raw

2019-04-03 Adobe Updater Failing to Update Adobe Camera Raw, Use Direct Download

2019-03-31 Revisiting Fractal-Like Artificats with Fujifilm X-Trans Sensor with Adobe Camera Raw Enhance Details

2019-03-19 Reprocessing Fujifilm GFX-50S Images with Moiré and Color Aliasing Issue using Adobe Camera Raw Enhance Details

2019-03-19 Adobe Camera Raw “Enhance Details” Feature: Most Important Raw Converter Feature in Years, My Suggestion to Adobe for UI Fix

2019-03-05 Javascript in Photoshop: Generic Lens Names in Adobe Camera Raw = Ambiguous Lens Name

2019-02-26 Canon RF 28-70mm f/2L Aperture Series @ 63mm: MemChu at Dusk + Adobe Camera Raw “Enhance Details” Feature (Canon EOS R)

2019-02-12 Adobe Camera Raw “Enhance Details” Feature: How it Works and How to Use It

2018

2018-10-21 Nikon Z7: White Balance and Tint in Adobe Camera Raw using Datacolor SpyderCHECKER (Mountain Morning Shade)

2018-10-16 Nikon Z7: White Balance and Tint in Adobe Camera Raw using Datacolor SpyderCHECKER (Mountain Mid-Day Autumn Sun)

2018-10-16 Canon EOS R: White Balance and Tint in Adobe Camera Raw using Datacolor SpyderCHECKER

2018-08-29 Hasselblad X1D + Hasselblad XCD 21mm f/4 White Balance and Tint in Mid-Morning Sunlight with Adobe Camera Raw

2018-08-14 Reader Question: Move to Sony A7R III from Canon 5D Mark IV?

2018-08-13 Sony A7R III: the Noise Behavior that Has Been Troublesome to Me — Updated, PhaseOne CaptureOne PRO (Repost)

2018-07-20 White Balance and Tint in Adobe Camera Raw for Sigma 70mm f/2.8 DG Macro Art on Sony A7R III in Mid-Day Sun

2018-07-12 Sigma 105mm f/1.4 DG HSM Art on Nikon D850: Substantial Color Shift Going from f/1.4 to Other Apertures

2018-01-23 LibRaw (RawDigger/FastRawViewer) Releases Beta of “SonyPixelShift2DNG”: Makes DNG file from 4 Pixel Shift Files FAST for Direct Use in ACR/Lightroom

2017

2017-12-28 Sony A7R III: the Noise Behavior that Has Been Troublesome to Me — Updated, PhaseOne CaptureOne PRO (UPDATED)

2017-12-16 Sony A7R III Pixel Shift with Sony Imaging Edge vs Single-Frame Adobe Camera Raw

2017-12-15 Sony A7R III: First Look with/without Pixel Shift with Sony Imaging Edge vs Adobe Camera Raw

2017-12-15 Sony A7R III, Pixel Shift, and Sony’s Imaging Edge/Viewer Software

2017-12-07 Adobe Camera Raw Support for Sony A7R III

2017-12-05 Adobe Support for A7R III Raw Files (even without pixel shift).

2017-10-25 Sony Announces Sony Alpha A7R III

2017-09-08 Adobe Camera Raw Supports Nikon D850

2017-08-26 Nikon D850: When Will Adobe Support D850 NEF in Adobe Camera Raw?

2017-07-04 Leica M10 White Balance and Tint in Photoshop/ACR

2017-05-24 Update to High ISO Highlight Destruction with Hasselblad X1D Raw Files (Adobe Camera Raw 9.10.1 bug fix)

2017-05-24 Adobe Camera Raw Updated to 9.10.1, Fixed Hasselblad X1D High ISO Highlight Loss and Fujifilm GFX Exposure Issue

2017-05-14 Photoshop ACR Behavior: Uses Wrong Lens Profile

2017-04-11 Which is faster for RAW File Conversion, CPU or GPU?

2017-03-14 Optimal Exposure via ETTR Can Deliver More Noise Benefit than Medium Format vs 35mm

2017-03-13 Hasselblad X1D: Better to Use Camera ISO or Push Base ISO 100 to Equivalent Higher ISO?

2017-03-12 Hasselblad X1D: ISO 3200 Highlight Destruction in ACR vs Iridient Developer and Hasselblad Phocus (Dolls)

2017-03-07 Fujifilm GFX 50s + 120mm f/4 Macro Plus Diffraction and Sharpening Evaluations

2017-03-03 Fujifilm GFX 50s: 'RAF' Not Yet Usable with Adobe Camera Raw (Lightroom, Photoshop)

2017-02-08 Hasselblad X1D: 3FR Raw-File Conversion in Adobe Camera Raw

2016

2016-09-20 Canon 5D Mark IV: Adobe Does Not Support Dual Pixel RAW

2016-09-19 Thoughts on the Fujifilm GFX 50S

2016-07-20 Pentax K1: SuperRes Pixel Shift Mode in the Field: Two Landscape Images

2016-07-04 Pentax K1: Another Look at SuperRes vs StdRes

2016-07-04 More Gear for the Mountains: Arc Teryx ACRUX FL GTX Waterproof Hiking Shoes

2016-07-01 Pentax K1: Unrivalled Image Quality in SuperRes Pixel Shift Mode

2016-07-01 Hasselblad X1D-50C: Sensor Size and Pixel Quality

2016-06-19 TIP: How to Force the use of DNG sidecar files with Adobe Camera Raw

2016-06-16 Home Today, Leica SL, Pentax K1, and More Coming Soon

2016-06-08 SuperRes Mode with Pentax K1: Sunset from White Mountain Road

2016-06-06 In the Field with the Pentax K-1 and SuperRes Pixel Shift Mode

2016-06-02 An Expert at Focus Stacking Comments on the Pentax K1 and Its Image Quality

2016-05-30 Looking for Zeiss ZK for Pentax K1

2016-05-26 Pentax 100mm f/2.8 Macro Aperture Series: Tiled Water Fountain (Pentax K1 SuperRes)

2016-05-26 Pentax 100mm f/2.8 Macro Aperture Series: Church Mosaic (Pentax K1 SuperRes)

2016-05-25 Pentax DA HD Limited 35mm f/2.8 Macro Aperture Series: Mosaic (Pentax K1 SuperRes)

2016-05-25 Pentax 50mm f/2.8 Macro Aperture Series: Tiled Water Fountain (Pentax K1 SuperRes)

2016-05-25 Pentax 50mm f/2.8 Macro Aperture Series: Church Mosaic, Sunlit (Pentax K1 SuperRes)

2016-05-25 Pentax 50mm f/2.8 Macro Aperture Series: Church Mosaic, Dusk (Pentax K1 SuperRes)

2016-05-25 Pentax 100mm f/2.8 Macro Aperture Series: Burghers of Calais (Pentax K1 SuperRes)

2016-05-24 Pentax DA HD Limited 35mm f/2.8 Macro Aperture Series: 'Map' (Pentax K1 SuperRes)

2016-05-23 Motion Correction for Pentax K1 SuperRes Images via Pentax Digital Camera Utility

2016-05-22 Pentax 50mm f/2.8 Macro Aperture Series: 'Map' (Pentax K1 SuperRes)

2016-05-20 Pentax 100mm f/2.8 Macro Aperture Series: 'Map' (Pentax K1 SuperRes)

2016-05-19 PENTAX K1: Focus Stacking in SuperRes Pixel Shift Mode, 'Ultegra Cassette'

2016-05-18 PENTAX K1: Night Shooting Examples in Super Res Pixel Shift Mode

2016-05-18 PENTAX K1: Focus Stacking in SuperRes Pixel Shift Mode, 'Pair of Pears'

2016-05-17 Pentax K1 + Pentax 15-30mm f/2.8 SuperRes Aperture Series @ 30mm

2016-05-17 Pentax Digital Camera Utility (for Pentax K1 or K3 II, etc)

2016-05-17 PENTAX smc FA 43mm f/1.9 Limited Aperture Series: Mosaic (Pentax K1 SuperRes)

2016-05-17 PENTAX SMCP-FA FA 77mm f/1.8 Limited Aperture Series: Mosaic (Pentax K1 SuperRes)

2016-05-16 Pentax K1 SuperRes Res Mode: Motion Correction Feature with Adobe Camera Raw and Pentax Digital Camera Utility

2016-05-16 Pentax K1 SuperRes Res Mode: Adobe Camera Raw 'Veiling Blue Haze' Bug Occurs with DNG Format but not with PEF Format

2016-05-16 Pentax K1 SuperRes Pixel Shift Mode: Will Adobe Choose to Support Motion Correction in Camera Raw?

2016-05-16 Pentax K1 + Pentax 15-30mm f/2.8 SuperRes Aperture Series @ 21mm (Includes StdRes Comparison)

2016-05-15 Pentax K1 Super Resolution Mode has Color Problems, Definitely an Adobe Camera Raw BUG — 3rd Example With 'Push'

2016-05-13 Pentax K1 Super Resolution Mode: SuperRes Mode Ends Moiré

2016-05-13 Pentax K1 Super Resolution Mode: In-Depth Comparison to StdRes Mode (Dolls)

2016-05-13 Pentax K1 Super Resolution Mode has Color Problems, Definitely an Adobe Camera Raw BUG — 2nd Example

2016-05-12 Pentax K1 Super Resolution Mode has Color Problems, Definitely an Adobe Camera Raw BUG

2016-05-12 Pentax K1 + Pentax 15-30mm f/2.8 SuperRes Aperture Series @ 15mm (Includes StdRes Comparison)

2016-05-11 Pentax K1 Now Here, SuperRes Pixel Shift at Night

2016-05-09 Photoshop CC 2015 Now Uses all the CPU Cores for RAW-File Conversion

2016-03-28 Fujifilm X-Pro2 Raw Conversion: X-Pro2 vs SilkyPix vs Adobe Camera Raw vs Iridient Developer

2016-03-27 Fujifilm X-Pro2: Studying 'Grain Effect' in Black and White Conversions

2016-03-27 Fujifilm X-Pro2: ACROS Film Simulations vs Photoshop Black and White Options

2016-03-26 Fujifilm X-Pro2: How Do In-Camera JPEG Film Simulations Compare to RAW-Derived Results in Adobe Camera Raw?

2016-03-17 Fujifilm X-Pro2: How Much to Sharpen in Adobe Camera Raw?

2016-03-16 Fujifilm X-Pro2: Comparing 12 Camera Profiles in Adobe Camera Raw (for Photoshop or Lightroom)

2016-03-16 Fujifilm X-Pro2: Adobe Camera Raw Settings for Raw Conversion

2016-02-29 CONFIRMED: Pentax K1 DOES NOT have an Electronic First Curtain Shutter (EFC Shutter)

2016-02-26 Pentax K3 II: SuperResolution Pixel Shift Mode vs StdRes: Tarnished Silver Dragonfly Pitcher

2016-02-26 Pentax K3 II: SuperResolution Pixel Shift Mode vs StdRes: Carved Stone Box

2016-02-25 Reader Comment on Pentax K3 II Super Resolution Mode: “Museum Artifact Work”

2016-02-25 Pentax K3 II: SuperResolution Pixel Shift Mode vs StdRes on Artifacts: Buffalo Coin and Engraved Letter Opener

2016-02-24 Pentax K3 II: SuperResolution Pixel Shift Mode vs StdRes with Saturated Red and Blue Fabric (Cycling Jersey)

2016-02-24 Pentax K3 II: Evaluating SuperResolution Pixel Shift Mode vs StdRes with Color and Texture

2016-02-24 Pentax K3 II: Does it Have an Electronic First Curtain Shutter (EFC Shutter)? what about K1?

2016-02-23 Pentax K3 II: Evaluating SuperResolution Pixel Shift Mode with Zeiss Siemens Star Chart

2016-02-23 Pentax K3 II in SuperResolution Pixel Shift Mode: Checkerboard Effect

2016-02-21 Reader Comment: Pentax K1 Reactions

2016-02-21 Pentax K1: Super Resolution Mode Appears to be Best DSLR Quality Yet

2016-02-21 Pentax K1: Impressive Innovation Unmatched by CaNikon

2016-02-18 Pentax K1 Super Resolution Pixel Shift Mode

2016-01-28 White Balance and Tint for Canon 5DS R in Adobe Camera Raw in Overcast Daylight

2016-01-09 LED Lighting Reviewed: Cineo Matchbox and Dracast LED 500

2016-01-03 Leica SL: White Balance and Tint in Adobe Camera Raw

2015

2015-08-09 Sony A7R II: White Balance and Tint in Adobe Camera Raw

2015-06-19 Serious Problem with Adobe Camera Raw Profile for Canon 5DS / 5DS R

2015-06-19 Canon 5DS R: Chroma Noise Reduction at ISO 12800 in Adobe Camera Raw

2015-04-03 Processing Olympus OMD E-M5 Mark II Hi-Res RAW with Adobe Camera Raw

2015-03-23 Adobe Camera Raw Now Shows that a Built-in Lens Profile is Applied

2014

2014-12-26 Sony A7 II and Adobe Camera Raw

2014-09-10 Using Camera Profiles in Adobe Camera Raw (Nikon D810 examples)

2014-08-30 Fujifilm X100: Can’t Charge the Battery

2014-08-29 Adobe Camera Raw: 'CameraStandard' Camera Profile Produces Horrific Tonal Transitions for D810 NEF

2014-08-21 Nikon D810: Single-Pass Faux HDR in Adobe Camera Raw

2014-07-22 Quick Look: Adobe Camera Raw vs Nikon Capture NX-D

2014-07-21 Nikon D810: Adobe Camera Raw Support

2014-04-21 Camera Profiles: Converting Raw in Adobe Photoshop ACR or Lightroom for Olympus OM-D E-M1

2014-04-20 Camera Profiles: Converting Raw in Adobe Photoshop ACR or Lightroom for Fujifilm X or Sony A7R/A7

2014-04-20 Camera Profiles: Converting Raw in Adobe Photoshop ACR or Lightroom

2014-02-23 Adobe Camera Raw / ACR Silently Corrects Images With No User Control with Some Cameras/Lenses

2014-02-10 Sony FE 24-70mm f/4 OSS Vario-Tessar: Distortion and Color Fringing at 24mm

2013

2013-11-12 Moderating and Enhancing Contrast with Adobe Camera Raw

2013-07-17 Leica M Typ 240: White Balance and Tint in Sunlight, and Which Profile in ACR?

2013-07-02 Adobe Camera Raw White Balance and Tint with Ricoh GR (and maybe other brands?)

2013-05-11 Zeiss Touit 32mm f/1.8 Planar: Correcting Distortion in Adobe Camera Raw

2013-04-23 Fujifilm X100S: Digital Artifacts

2013-02-26 Adobe Camera Raw 7.4 rc1 on Fuji X Files

2013-01-16 Fuji X Raw (ARW) Artifacting: ACR vs Capture One Pro 7.0.2

2012

2012-12-05 Fujifilm X-E1 File Size with ACR

2012-09-11 Workflow, RAW Conversion: Adobe Camera RAW (ACR) vs DXO Optics Pro

2012-09-09 Sony RX100: DXO Optics Pro vs ACR

2012-09-09 Sony RX100: Adobe Camera RAW 7.2 RC Distortion Correction = FORCED ON

2012-05-31 Fuji X-Pro1: RAW vs JPEG with ACR 7.1

2012-05-30 Adobe Camera RAW 7.1 for Fuji X-Pro1

2012-05-25 How Long to Convert 500 Nikon D800 14-bit NEF to JPEG?

2012-04-22 Fujifilm X-Pro1 Review

2011

2011-12-26 Reader Comments on Settings for RAW files from Fuji X10 with ACR

2011-12-19 Adobe Camera RAW v6.6 (ACR) Proves Unreliable

2011-12-13 Adobe Camera Raw (ACR) Now Supports the Fuji X10, But Sharpening Problematic

2011-12-13 Adobe Camera Raw (ACR) Always Corrects Distortion With Some Cameras

2011-11-18 Adobe ACR Lens Profile for Zeiss 35mm f/1. 4 Distagon, 25/2 Distagon Coming

2011-11-11 Adobe ACR Lens Profile for Zeiss 35mm f/1. 4 Distagon?

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